The Specificity of Luxury Management

 

Kapferer, J.N., and Bastien, V. (2008).  The specificity of luxury management:  Turning marketing upside down.  Brand Management.  Vol 16, 311-322.

The authors create a conceptual thought-piece article for marketing luxury brands.  Within the paper, the authors differentiate the traditional marketing of mass brands from luxury brands.  The paper highlights the importance of unique prescriptive approaches to marketing luxury brands to retain or regain profitability, given the timing of the article's release (post 2007-8 global recession).

There are several strengths of the article; first, the authors attempt to define luxury and luxury brands. Useful conceptual definitions are a necessary condition for building theories and valid empirical tests.  Second, the article highlights areas for future marketing research for luxury goods.  Finally, the piece provides prescriptive insights for luxury brand managers and premium brands (to up their position). The following points provide highlights from the article.

Introduction

  • Mass brands, using traditional marketing techniques (e.g., segmentation, positioning, pre-testing, consumer preference surveys, benchmarking, etc.), do not apply to luxury brands.

  • Luxury brands will offer extensions (termed 'trading-down') to mass markets at approachable price-points by leveraging the brand name.

What is Luxury?

  • Historically in Western Europe, decreed by royal rules it was a means to identify social stratification (i.e., a social distance) between aristocrats and others (i.e., masses, wealthy Bourgeois, etc.)

  • 18th century Enlightenment led to the end of the traditional aristocratic perspective and a new view towards meritocracy

  • In the modern age, authors highlight a psychological need for people to form social stratifications (e.g., Veblen, 1899)

  • Luxury brands then serve to recreate social stratification and signal a person's place in a hierarchy

Luxury as a signal

  • A social marker and a symbolic desire to belong to a superior class based upon a person's aspirations and fantasies

  • Driven by cultural codes and doesn't merely reflect a buyer's wealth but their tastes

Luxury for the self

  • A strong personal and hedonistic (i.e., self-indulgent or pleasure-seeking) component

  • Luxury for self leads to a market for symbols (i.e., brand symbols); however, this is not a long-term strategy for a brand.  A luxury brand should be grounded in product substance

Characteristics of Luxury:

  1. Qualitative, not quantitative

  2. Hedonism over functionality

  3. Aligns with Art

  4. Multi-sensory and experiential (i.e., based on experience and observation) – an example is a Porsche (1. Appearance, 2. Sound)

  5. Must be of human origin

  • Must be handmade

  • Includes exclusive services a part of luxury management

Luxury & Fashion

  • Fashion reflects trends of the times

  • Luxury aims for timelessness

  • Fashion luxury brands have higher sales for their classics

  • Luxury streets are typically not co-located with fashion districts

Recommendations for Managing a Luxury Business

  1. Not Brand Positioning Focus on Luxury Brand Identity

  • Traditional marketing focuses on brand positioning (i.e., unique selling proposition, value proposition, competitive advantage) - differences create a preference for the brand

  • Luxury – uniqueness matters not a comparison with competitors, it's an expression of taste and creative identity

  • Luxury image is "born of itself" – not customer preference surveys

  • Luxury brands tell their own story (whether real or not)

2.    Luxury is Exceptional never Comparative

  • Competitors are irrelevant to luxury brands (think artists)

  • Traditional marketing attempts to draw customers from competitors and beat the competition (maybe an example of a premium brand)

3.     Flaws are Charming: Perfection is not Luxury

  • Premium products (on the traditional marketing spectrum) seek perfection (vs. luxury)

  • Luxury watches add complexity in the quest of art for art's sake

4.     Luxury Customers are not First

  • In traditional marketing and products sold through mass distribution, customers are king

  • Luxury products come from the mind and vision of their creator

  • An example is BMW – resist client demands for changes to their cars and instead driven by their philosophies of performance and aesthetics

  • Given that people seek to elevate themselves, luxury brands are a reward and signal of gradual elevation – thus, the brand should dominate its clients

  • The brand should maintain a social distance to maintain an aura of mystery

  • Co-development of a brand with customers is alien to luxury brands

  • Premium brands represent trading-up while Luxury is the domain of culture and taste – Marketing-wise, this implies that luxury brands need to advise, educate and guide (sociologically) the wealthy

5.     Luxury is Difficult to Attain

  • People earn the right the acquire a Luxury

  • The higher the difficulty, the higher the desire. Obstacles such as cultural (when to wear), logistical (limited locations), and waiting (i.e., a time factor) which increases longing and straining desire

  • Luxury exceeds at distributing scarcity

6.     Luxury Advertising

  • In traditional marketing, managers study the before and after the influence of a campaign

  • In Luxury, advertising attempts to recreate or reinforce the consumer's dream

  • An immediate effect on sales is not an effective measure (it does not measure the dream)

7.     Advertise to Non-targeted Consumers

  • Traditional marketing measures advertising effectiveness, therefore a campaign focuses ideally only on the target consumers

  • Luxury – the campaign communicates the value (e.g., the price) to everyone (if no one recognizes the price then the value is lost

  • There are two aspects to luxury value, (1) luxury for oneself and (2) luxury for others

8.     Raise Prices

  • "A reasonable price is a price that appeals to reason, and therefore comparison."

  • Increasing prices are more attractive to people that previously would not consider the product

  • Raising prices attracts luxury buyers for whom Luxury implies a display of wealth

  • Status brands have a range of products that are financially out-of-reach of many people

  • High prices influence the mentality (i.e., mindset, culture, etc.) of an organization.  Everyone wants to deliver the value to live up to the price

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The 7 Principles for Designing a Luxury Experience